kunjo – Speculative

Introduction to Speculative Design Practice

Bastien Kerspern & Estelle Hary: Our practice is close to the activism

Anab Jain: Our work investigates how emerging technologies influence our worlds

David Benqué: I’m trying to articulate what “speculation” means in my own practice

Tobias Revell: I have never made a chair or a poster

Demitrios Kargotis & Dash Macdonald: We work directly in the public realm

Silvio Vujičić: Speculativity have been always part of any good work of art

Andreja Kulunčić: Merely being “critical” is not enough for social change

Nina Bačun: I couldn’t position my practice in any of the existing categories

Damir Prizmić: Speculative approach is well suited to the new “overclocked” reality

Nikola Bojić: I’m interested in rethink the existing realities in a new way

Anselmo Tumpić: My prototypes are testing individuals and society

Robert Čanak: Speculative practice opens space between the real and the impossible

Lina Kovačević: My work is related to futurism and foresight

Francisco Laranjo: Design should be decolonised

Cameron Tonkinwise: Speculative practice needs diverse cultures

Michael Smyth: Speculation could restore our sense of wonder

Ramia Mazé: Design practices are not neutral

Matt Ward: Speculation is part of every designers practice

Nicolas Nova: This kind of design tells worlds, rather than stories

“What if?” – Two or Three Notes on Speculation

James Auger: Speculative design is a counter to normative design

Catalogue / Reader

A Set For An Online Romantic Dinner

Hybrid Gulf – Excavating Future Identities