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Introduction to Speculative Design Practice

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Bastien Kerspern & Estelle Hary: Our practice is close to the activism

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Anab Jain: Our work investigates how emerging technologies influence our worlds

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David Benqué: I’m trying to articulate what “speculation” means in my own practice

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Tobias Revell: I have never made a chair or a poster

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Demitrios Kargotis & Dash Macdonald: We work directly in the public realm

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Silvio Vujičić: Speculativity have been always part of any good work of art

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Andreja Kulunčić: Merely being “critical” is not enough for social change

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Nina Bačun: I couldn’t position my practice in any of the existing categories

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Damir Prizmić: Speculative approach is well suited to the new “overclocked” reality

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Nikola Bojić: I’m interested in rethink the existing realities in a new way

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Anselmo Tumpić: My prototypes are testing individuals and society

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Robert Čanak: Speculative practice opens space between the real and the impossible

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Lina Kovačević: My work is related to futurism and foresight

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Francisco Laranjo: Design should be decolonised

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Cameron Tonkinwise: Speculative practice needs diverse cultures

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Michael Smyth: Speculation could restore our sense of wonder

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Ramia Mazé: Design practices are not neutral

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Matt Ward: Speculation is part of every designers practice

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Nicolas Nova: This kind of design tells worlds, rather than stories

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“What if?” – Two or Three Notes on Speculation

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James Auger: Speculative design is a counter to normative design

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Catalogue / Reader

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A Set For An Online Romantic Dinner

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Hybrid Gulf – Excavating Future Identities

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Older posts
  1. What is speculative (critical) design to you?
  2. What is the role of the speculative (critical) design in the contemporary design practice, and, in the broadest sense, in the world we live in?
  3. What kind of (design) educational concept would be prudent as a response to the contemporary world challenges?
  1. What would be the position of your works in the context of contemporary design and art practice?
  2. What is the present-day role of speculative (critical) approach to design (an art) and how relevant is it for your work?
  3. Can one make a living from this kind of work?

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